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Drama / Comedy. “Time heals all wounds” is a platitude usually trotted out for its comforting qualities. “The Interpreter” is an unusually measured attempt to contend with these intractable issues. And so, armed with a pistol, he sets off to Vienna to look for the SS man and take his revenge. It transpires that Ali survived the war because his parents gave him away and had him baptised. He asks if Ali is Jewish, and Ali asks if that matters. He travels to Vienna to visit him, taking with him a gun. These are the articles that were most popular among our readers in 2018. Their first port of call is Banská Bystrica, where Georg's car is broken into and all his papers and money stolen. ... 2018. The gregarious Georg, whom we first see canoodling with his housekeeper-with-benefits, responds with bluff, unapologetic stonewalling, only really getting riled when Ali accuses him of anti-Semitism. Ali Ungar (Menzel), looking like a dapper tortoise in a neatly pressed mac, forever clutching a briefcase, makes his way from the train station in Vienna to a particular address. The more knockabout comedy gradually drains out and the mood becomes more melancholic and reflective. But in some cases, when the line between healing and forgetting is a blurred one, it can sound like a warning. The men develop a kind of friendship. Slovak Republic / Czech Republic / Austria, 2018. Its a story about Africa and all the good guys are white and all the bad guys are black. The Interpreter (Slovak: Tlmočník) is a 2018 Slovak drama film directed by Martin Šulík.It was selected as the Slovak entry for the Best Foreign Language Film … Reluctant to leave with no resolution, Ali asks to use the toilet and have a drink of water, and finally denounces Georg as a Nazi swine. The door of his flat is opened by Georg Graubner, who says that his father killed a lot of people during the war but is now himself dead. Gradually, these two very different men begin to warm to each other and together, they discover a country that would prefer to forget about its past. Published 24 Dec 2018 07:00 0 Comments Global Issues Follow @lowyinstitute . Martin Šulík's odd-couple road trip visits uncomfortable places in Holocaust history with melancholic wit and finely modulated performances. Menemsha Films | 2601 Ocean Park Blvd, Suite 100, Santa Monica, CA 90405 | (310) 452.1775 |  Privacy Policy   |   © 2016, Winner of SIX Slovak National Film Awards, Menemsha Films | 2601 Ocean Park Blvd, Suite 100, Santa Monica, CA 90405 | (310) 452.1775 |. The premise of well-known Slovakian director Martin Šulík’s gentle dramedy “The Interpreter” might sound schematic in its exploration of this impossible question in the context of the Holocaust. However Georg persuades him to stay on. As he leaves the building he pushes the biography through the letterbox and scratches a swastika on the outside. They tour Slovakia, equipped with old photographs showing Georg's father. But once there, the only person he encounters is the man’s 70-year-old son Georg, a former teacher who has spent his whole life avoiding his father and suffering from an addiction to alcohol. How much do we, the living, owe to them, the dead, and is it more or less than we owe to each other? Georg then drives back to Vienna, where it is revealed that his own father is not dead, but is a bed-ridden invalid. An 80-year-old translator, Ali Ungár, comes across a book written by a former SS officer recounting his war experiences in Slovakia. The cello-and-piano motif that’s a little overused as a “back on the road” cue in between incidents, takes on a sadder key. Variety and the Flying V logos are trademarks of Variety Media, LLC. Through its lovely performances, the film accesses a profound and topical reality about our relationship to history: We cannot visit the sins of the father on the son, but neither can we deny their legacy. His long, faithful marriage to his now-deceased wife, and his loving relationship with his principled, smart daughter (an excellent, flinty Zuzana Mauréry) are riches that Georg, lonely underneath all that good humor, has never experienced. The ten most popular Interpreter articles of 2018. But whilst Georg is basically out to have a good time, Ali is hoping to find out how his parents really died. So it’s a slight surprise, that points somewhat to his mercurial nature, when Georg shows up in Bratislava soon after and asks to engage Ali’s services as a translator. They each emerge as studies of wildly contrasting personalities that nonetheless were both formed by events and deeds over which they had no control, and that put them on opposite sides of the impassable divide between victim and perpetrator. The Interpreter (Slovak: Tlmočník) is a 2018 Slovak drama film directed by Martin Šulík. An 80-year-old translator, Ali Ungár, comes across a book written by a former SS officer recounting his war experiences in Slovakia. Ali has to pay the hotel bill and for Georg's drinks, and resigns from the job. An interpreter for the United Nations overhears an assassination plot against an African dictator and enlists the Secret Service to investigate her claim. A missed opportunity for Hollywood.

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