Insights

Hunt, David. “Culture.” Mainichi Shinbum, 2 July 1999. Text by Shigemi Takahashi. Ming Pao Weekly, 21 March 2015: 50–57, illustrated. Art and Asia Pacific, no. Yoshitomo Nara, Galerie d'Eendt, Amsterdam, May 4–30, 1990. Traveled to: Museum of Contemporary Art, North Miami, May 31–September 8, 2008; Musée d’art contemporain de Montréal, October 9, 2008–January 11, 2009. Artnet News, 10 January 2018. https://news.artnet.com/market/pace-new-hong-kong-gallery-yoshitomo-nara-1196702, Rim, Tina. Lullaby Supermarket, Santa Monica Museum of Art, March 25-May 27, 2000. Nara, Yoshitomo. Aomori: Aomori Prefectural Folk Museum, 2000. (Pamphlet). it is JAPAN (China), January 2011: 60–103, illustrated, cover. As in all of his works, the cartoon quality makes his figures appear deceptively child-like. The Human Image in the Twentieth Century: Works from The Collection of the Tokushima Modern Art Museum (exhibition catalogue). Vertical Time: Past, Present and Future of Sculpture (exhibition catalogue). Kuresawa, Takemi. Yoshitomo Nara: all things must pass, but nothing is lost/precious days around me, sometimes farther along, sometimes under my feet, Pace/MacGill Gallery, New York, October 25, 2018–January 12, 2019. Frieze, no. Bolten-Rempt, Jetteke. (Catalogue), Innocent Minds, Space X and Forum Space at Aichi Arts Center, Nagoya. “15 Minutes with Yoshitomo Nara.” Interview with Tali Jaffe. Four Views of the Collection of the Yokohama Museum of Art (exhibition catalogue). Interview, 12 November 2011. http://www.interviewmagazine.com/art/yoshitomo-nara-asia-society#/_. Frazier, David. (Catalogue), My Reality: Contemporary Art and the Culture of Japanese Animation. 2 (March 2014): 34, illustrated. "Pace Reveals Details of Its New Hong Kong Space" (Pace Hong Kong exhibition preview). McNeill, David. Senritsu Mirai: Future Perfectn (exhibition catalogue). Pop! “Prizing an Animated Approach to Life.” Los Angeles Times, 23 May 1997. 12th International Cairo Biennale, El Bab Gallery, Museum of Modern Egyptian Art, Cairo, December 12, 2010–February 22, 2011. The title pays direct homage to Penn's reputation for "individualism" but it was only one of many of the collections' musical allusions to rebellious rock and punk music (by the likes of Neil Young, the Ramones, and Green Day). Corrigan, Susan. “Japan’s Collective Unconscious.” The New York Times, 8 april 2005: B27–31. “Yoshitomo Nara: Ceramic Works.” Japan Times, 11 June 2010. Text by Nobuyuki Konishi. Layers of emotion can be read into the figure's large, almond-shaped eyes, which dance with the reflected color of the flame. Yoshitomo Nara: Nowhere Land, Johnen + Schottle, Cologne, October 28–February 5, 2004. Kamps, Tobey. The New York Times, 13 December 2013: C29, C34, illustrated. Texts by Ulrich Pfarr and Andreas Schalhorn. Welcoming the comparison with Rothko, Nara said, "it's not about it being an image of a young girl, it's about the many levels of paint that have built up. This period of time was a pivotal influence on Nara, during which he began synthesizing Japanese and Western popular culture, as seen in Nachtwandern (1994), and when he arrived at his mature style, as seen in Pony Tail (1995) and Haze Days (1998). Kazoku no jokei: Nihon no kazoku wo kangaeru = The Scene of Family: A Review to the Japanese Family] (exhibition catalogue). Interview with Caroline Henshaw. Aomori Museum of Art Collections: Shiko Munakata, Toru Narita, Yoshitomo Nara: Idol3, Onomichi City Museum of Art, Hiroshima, August 28–October 17, 2010. Jyugem: Endless Happiness, SCAI The Bathhouse, Tokyo, 1995. New Artists in Nagoya, Westbeth Gallery, Nagoya, Aichi, 1987. “Fall Preview: Art-Core rock.” Time Out Chicago, 30 August–5 September 2007. “Kid Stuff.” Artnet, 8 September 2010. Traveled to: Stadtische Galerie Erlangen, Germany, April 15–May 21, 2000; Stedelijk Museum De Lakenhal, Leiden, The Netherlands, June 17–October 1, 2000. Taipei: Museum of Contemporary Art, 2005. Nara, Yoshitomo. The 6th Asia Pacific Triennial of Contemporary Art (exhibition catalogue). $7.95. Helsinki: Finish Artists Association, 2002. “Tokyo Pop.” Flash Art (November / December 1997): 110.

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