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Find album reviews, stream songs, credits and award information for The Best of the Velvet Underground: Words and Music of Lou Reed - The Velvet Underground on AllMusic - 1989 - The legacy of the Velvet Underground has grown to… With a pair of former music journalists in their ranks (Bob Stanley has written for Pitchfork, Uncut, and more), the London trio can't help but comment on pop even as they're brilliantly making it, from early singles like 1992's Lovin' Spoonful-invoking "Join Our Club" to the Red Hot Chili Peppers-dissing penultimate track on 2005's Tales From Turnpike House. North America. Skins, Suedes and Style from the Streets 1967-1973. Saint Etienne’s eighth album Words and Music by… was originally released in 2012 and finally receives the Deluxe Edition CD treatment. Striking art exists beyond its moment and medium, sometimes sliding, sometimes shoving … Africa. The airier moments, such as the waltzing Euro-folk of "I Threw It All Away" or the Bacharach-lush "Answer Song", aren't quite as immediate as the dancefloor-oriented numbers, but they nicely balance the album. "Heading for the Fair" is the type of piano-house comedown that isn't so far off from the best of the Rapture's latest album, while "Record Collector" continues Saint Etienne's increasing use of harmonies for a sumptuously doo-wop a cappella vocal that could nestle in a playlist beside Drake's "The Ride" or Jens Lekman's "Kanske Är Jag Kär I Dig". When not serving in a year-long artists' residency at London's Royal Festival Hall, putting together a documentary called This Is Tomorrow, or working on an upcoming book (Stanley's Do You Believe in Magic? Europe. Middle East. Far East & Asia. ), these pop savants have also reissued their back catalog, put out a highly recommended compilation (London Conversations, which in some formats included two new songs), and tapped producer Richard X to remix their entire 1991 debut album as Foxbase Beta, among too many other projects to list. The noisier side of the band is represented more sparingly, with only the title track from the more experimental second album, White Light/White Heat, and the sprawling "Heroin" drifting into the challenging side of the Velvets' forced matchmaking with pop and chaos. Browse new releases, best sellers, and pre-orders on CD, vinyl, and MP3. The perennially chic voice of singer Sarah Cracknell can be heard paying tribute to the wonders of portable listening ("I've Got Your Music"), of embracing a loved one while the right song plays ("DJ"), and even, hilariously, of chatting on a pop-music blog that happens to be run by Pitchfork contributor Tom Ewing ("Popular"). South & Central America. This best-of collection takes the most direct route, leaning heavily on popular selections from the band's 1967 debut, like "I'll Be Your Mirror" and "Femme Fatale," both sung by Nico. This time, as the album art reinforces, they've wisely realized their real home town is global pop culture. You know it makes sense! It's not as if Saint Etienne have been standing still all these years. Pitchfork is the most trusted voice in music. Tunes like the hauntingly beautiful "Pale Blue Eyes" or "Sweet Jane," from later album Loaded, pair nicely with rockers like "What Goes On" and "I Can't Stand It," and while this collection might be a little pedestrian for studied fans of the band's catalog, it serves as an excellent introduction to one of the most quietly perfect bands in the history of rock music. The English electronic pop band's first proper album since 2005 is a sterling affirmation that relating music to your life doesn't have to grow more difficult as you get older. The gap between how records sound and the personal experiences they can bring to mind is also a crucial theme of one of my favorite albums of 2012, Europe, by Allo Darlin'.

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