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As he told me before the film was released: “I think the expectation of, ‘Oh, it’s a commercial, how could you make it funny’—I think that expectation is going to work in our favor.”. Directed by Charles Stone III. You may know your actors already, and in this case, we had six weeks at best, some of them two weeks, from the time they cast them to being their first day on screen, which is insane, but an amazing challenge, which we were really happy to take on. And it was immediately clear what Pepsi had seen in Irving, who trash-talked with convincing old-dudeness and held his own as an on-screen presence. Rodgers and Brady have squared off just twice in their careers, and each has won a game. This product uses the TMDb API but is not endorsed or certified by TMDb. When doing these big makeup sets, that’s really difficult because we need as much time to create from scratch their looks. Webber is easily the biggest revelation of Uncle Drew; he’s physically verstaile, emotionally expressive, and remarkably funny. He wasn’t in the shot, and so I just walked up behind him and just whispered in his ear, “I know you’re not in the shot, but you have Makeup Jesus’s blessing.” It’s the only time I literally got him to bust out laughing. Uncle Drew is proof positive that a solid ... it becomes easy to forget the aging makeup and get lost in the chemistry between Howery and his team. After skipping the championship game 50 years ago, he disappeared. Chris and Kyrie were behind working with the makeup as the character, so we were able to do so much. It was pretty cool, from a personal level too. In your average movie, the actors in makeup aren’t running around dunking and playing defense. Turns out, Kroll plays frequently; even if that didn’t prepare him for guarding Kyrie Irving, it was enough to make it work on camera. src: url('myfont.woff2') format('woff2'); When Marty Bowen, the producer behind the Twilight franchise, The Fault in Our Stars, and a bunch of other movies and TV shows you’ve definitely heard of, called up Jay Longino and asked him what he thought about writing a film around Uncle Drew—the septuagenarian star of a few Pepsi ads, played by Celtics phenom Kyrie Irving under a horror flick’s worth of prosthetic makeup—his reaction was the same as the one you probably had when you heard that they were making an Uncle Drew movie: Wait, what? I started when I was 17.”, Matt: “I was going to college to teach choir and fell into an apprenticeship. We talked about the personalities, the heart of these characters, and then from there we went back to the lab and tried to best project who we thought these people were in their designs. I have nothing but positive things to say about Kyrie because he really … things trickled down from the top, and he absolutely set the tone for the level of professionalism. Stone initially wanted Snoop Dogg to play the role of Lights, a rangy, smooth 3-point shooter, but the producers and Longino were insistent that they go with pro ballers for each part, and they landed Reggie Miller. Shaq was a big reason for that. In a case like Shaquille O’Neil, he’s a big guy, he’s hard to hide, so it was making his character match that larger-than-life persona.”, Jonah: “A project like Uncle Drew was such a collaborative effort. And while he didn’t join until the day before shooting, Aaron Gordon is surprisingly good as the on-court villain, Casper, who’s meant to represent everything that’s wrong with young ballers. We had an instant connection and realized joining forces to open a business in Atlanta is the right move.”. What was it like interacting with Kyrie on a day-to-day basis? Matt and I talk about it a lot. The Story of the underdog is the main theme, not just of the film, but of the entire production of this movie. Who Gets a Seat at the Table? Shaquille O’Neal, with his acting past and his inherent Shaq-ness, was an obvious choice for the character of Big Fella, a martial arts master whose decades-old grudge against Uncle Drew provides much of the story’s emotional weight. When the Emperor of China issues a decree that one man per family must serve in the... "Miss World 1970: The launch of a revolution", "If it chooses you, nothing can save you. I grew up in ’84 when Jordan came in the league. I’m sure sometimes you have people that are cast for large roles, but working with someone his size, and making prosthetics and going through this process with him, and Reggie Miller, and these guys that are much bigger human beings than probably you’d normally run into, what was that experience like, and kind of the unique challenges of doing makeup and doing prosthetics for them? This was one of the most exciting and challenging projects at the same time. We have a story about that.”, Matt: “Christ Webber, one of the most amazing guys. As for Dax’s white-boy boogeyman Mookie, Longino had to do a little reconnaissance before he’d sign off on comedian Nick Kroll, who was up for the role. Each makeup consisted of between 10 and 13 silicone pieces. That was no small task, since they had to pull off two very different feats: first, be able to play basketball at an elite level while drowning in makeup, and second, make this feel like a real movie. ", "The Helen Reddy story and the song that inspired a revolution", 'The War With Grandpa' Interviews with Robert De Niro and Jane Seymour. While Stone was intrigued by the generational conflict and old-school/new-school tension that the shorts hint at, the character of Dax—who would come to be played by Lil Rel Howery of Get Out fame—was a major draw. He kept things pretty quiet. All The Iconic, Surreal Pop Music Moments At The 2020 MTV VMAs You need that when you’re working as hard as they are, as hard as we are. Our team sculpted, molded, and cast 7custom age makeups composed of 111 individual sculptures. Like us, it’s not his first time working with a film crew. Rack up 500 points and you'll score a $5 reward for more movies. Reggie’s also very limited. Kyrie is great too. Longino, it turns out, was also right. From that conversation came the idea that Mookie saw Dax as the Borg to his McEnroe, the Magic to his Bird, and Kroll continued to expand on his character during shooting. As Bowen predicted, Longino did reconsider, but that still meant he needed to figure out what the movie might look like. It may just change how you feel about him. And he was like, ‘You’re a fucking idiot, you’re going to realize you’re an idiot, and you’re going to call me back within 24 to 36 hours and tell me you’re wrong and that you want to write this movie.’ And I was like, ‘No, I won’t.’ Sure enough, I woke up the next morning and I was like, Am I turning down a job? Earn 125 points on every ticket you buy. The Amazing Spider-Man #50, out today from Marvel Comics, finally resolves many parts of its ongoing story while starting new ones and even presents... DRACULA, MOTHERF**KER!, available now from Image Comics, is a reinvention of the Dracula story that pays homage to the strongest examples of 70's exploitation... AMAZING SPIDER-MAN #50.LR hits your local comic book shop on October 21, but thanks to Marvel Comics, Monkeys Fighting Robots has an exclusive preview... 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Did he ever talk about that, or was that just kind of, he kept that in its own little compartment, and he was just focused on the film? We just can’t imagine it going much better than it did, under all of the challenges that were there. The first meeting we had with Producers Marty Bowen, John Fisher, and Director Charles Stone was a meeting of the minds. Having only 2-6 weeks per character to design, fabricate, and begin shooting 7 full age prosthetics in a movie focused on those exact makeups, simply should not work. This weekend, Uncle Drew opened to good reviews, strong word of mouth, and $15 million at the box office. After going through a range of ideas—from a broad-comedy version in which Drew’s powers stem from black-market Viagra, to one in which Drew is a young dude dressed up as an old dude—he landed on an expanded version of the shorts, in which Drew travels the country gathering his old squad. It’s like, in the movie, you’re gonna meet Uncle Drew and really get to know him, but he’s like the straight man through the whole thing that holds everything together. He made it work through hell and high water. That is a really great process because it gives you the initial back and forth, and the initial rapport with the creative team and with the team bringing the film to life. The minute he’d sweat it was ‘face off’ … We were chasing him around to keep his face on.”, Jonah: “One of the things about creating them [Uncle Drew characters]; it was important to get the realism right but also create these wonderful characters. We reflected a great deal on groundbreaking movies like Coming to America, The Nutty Professor, and DickTracy  to find inspiration on not just creating the realistic old age makeups, but instead, creating memorable characters. 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