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As Parisian critic Pierre Kast protested at the time, “It is impossible to remove a single episode without distorting the ultimate significance of the film.” Now, thirty-seven years later, Criterion proudly presents the full, reassembled picture, Clouzot’s stunning original cut. Good, but does rather drag. It includes interviews with Clouzot’s second wife, Inès; his brother Marcel; actors Suzy Delair and Brigitte Bardot; and assistant director Michel Romanoff. As they ferry their explosive cargo to a faraway oil fire, each bump and jolt tests … Unfortunately, it was excessively trimmed for United States distribution, in part because of scenes that denounced American business interests for exploiting workers in Latin America. Our payment security system encrypts your information during transmission. In this 2005 interview in Paris, Romanoff discusses his work on the two-year s... Marc Godin is the coauthor, with Henri-Georges Clouzot’s godson José-Louis Bocquet, of the illustrated biography “Clouzot: Cinéaste.” He was interviewed in Paris in 2005. It looked like the transfer was made off a film print that had been dragged down the street then shot off a 1980's video camera. Please try again. There is also a sequence that must have inspired Speed. And Clouzot’s editing style “based on constant shocks,” punctuates the narrative perfectly. A great film that now looks great. The Wages of Fear (Le salaire de la peur) is one of the greatest thrillers ever committed to celluloid, a white-knuckle ride from France s legendary master of suspense Henri Georges-Clouzot.BLU-RAY SPECIAL EDITION FEATURES:Restored high-definition digital transfer with uncompressed monaural soundtrackVideo interviews with assistant director Michel Romanoff and Henri-Georges Clouzot biographer Marc GodinInterview with Yves Montand from 1988Henri-Georges Clouzot: The Enlightened Tyrant, a 2004 documentary on the director s careerCensored, an analysis of cuts made to the film for its 1955 U.S. releasePLUS: An booklet featuring an essay by novelist Dennis Lehane, A big, masterly movie...it joyfully scares the living hell out of you as it reveals something about the human condition. Danny Peary is the author of Cult Movies and has written film criticism for such publications as Focus on Film, the Velvet Light Trap, and Newsday. The film is over long, with the first half being character development. The difference in detail in this BFI Blu-ray compared to others is similar to that between DVD and Blu-ray. The firm figures that since these aren’t union men, no one will squawk if they don’t survive the suicidal task. The very end has a sequence that reminds one of 2001: A Space Odyssey. In spite of this, when the drivers struggled with getting the nitro across, the audience cheers for them. They try to exhibit grace under pressure, be equal to their companions, be brave, be “men.” They all succeed but Vanel, who loses his nerve—Jean Gabin turned down the part because he was afraid to portray a coward (Vanel won the Best Actor award at Cannes). I generally prefer the orginal movies, especially the old black and white ones. Well done BFI and all concerned. 3. Throughout this process, The Wages of Fear was available on video only in truncated form, shorn of all political undertones that the U.S. distributor had deemed “anti-American” during the film’s original U.S. run, in 1955 (two years after the French premiere), so I held out for the unpillaged original. Not only is the environment a trap, but the director seems to manipulate so the conclusion fits his claustrophobic vision of the world. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. My first encounter with the film of Henri Georges Clouzot was his "Quai des Orfèvres" (1947). Though vastly different in content, there is definite style that punctuates his works. Spielberg's "Duel" being an honourable exception!! There is no music in the film until the very end. The night sequences are of such poor reproduction, it can be hard to see what is happening. Martin Scorsese’s World Cinema Project No. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The ending is meant to be ironic, but just feels stupid. Consequently, as the New York Times critic Bosley Crowther wrote, “You sit there waiting for the theater to explode.”. In this version, the early sequences have their clarity restored, the characters are more fully developed, and the film comes across as being much more political. We spend a lot of time setting the scene and introducing the characters. When THE WAGES OF FEAR was first shown in the U.S. in 1955, it was in a much shorter form than the original. Don't miss this one! Reviewed in the United States on July 19, 2018. Clouzot’s sixth film and the predecessor to his terror classic Diabolique, it was voted the Grand Prize at Cannes in 1953 and Best Film of 1954 by the British Film Academy. But he’s equally disappointed in men such as our “heroes” who risk their lives for all the wrong reasons. Clouzot’s ironic suspense films are often compared to those of Alfred Hitchcock. Now everyone dreams of fleeing, but they haven’t the money. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. See more in our Cookies Policy. Amazon's Choice recommends highly rated and well-priced products. Your recently viewed items and featured recommendations, Select the department you want to search in. Reviewed in the United Kingdom on April 9, 2018, what a film takes me back to my childhood terrified and cannot stop watching watch the American remake some years after when I was into physcho music as Tangerine Dream worked magic on the Sorcerer which is such a good remake of wages of fear lovely and still thrilling I am a fan. In a squalid South American oil town, four desperate men sign on for a suicide mission to drive trucks loaded with nitroglycerin over a treacherous mountain route. Reviewed in the United States on June 15, 2018.

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