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[43], Coordinates: 36°46′34″N 3°03′36″E / 36.7761°N 3.0600°E / 36.7761; 3.0600, Intelligence, torture and summary executions, The New Counter-insurgency Era in Critical Perspective - By Celeste Ward Gventer, David Martin Jones, M.L.R Smith, p 183, Screening Torture: Media Representations of the State of Terror - Michael Flynn, Fabiola, p223, harvnb error: no target: CITEREFAussaresses (, British H-Bomb Fired As Debate On Atom Test Ban Rages, 1957/06/03 (1957), https://en.wikipedia.org/w/index.php?title=Battle_of_Algiers_(1956–1957)&oldid=983629176, Creative Commons Attribution-ShareAlike License, 30 September 1956 – 24 September 1957 (11 months, 3 weeks and 4 days), two Intervention and Reconnaissance detachments (650 men). Salash Baazi, an FLN leader who had been exiled by the French, approached Italian director Gillo Pontecorvo and screenwriter Franco Solinas with the project. Meanwhile, in other places around the world the film was greeted as a masterpiece of political cinema, reportedly offering inspiration to diverse political groups, and was rereleased in the 2000s, when it was also screened at the Pentagon for the lessons it offered in the so-called War on Terror. The Battle of Algiers ( 106 ) IMDb 8.1 1h 56min 1971 Shot in a gritty documentary style, with remarkable crowd scenes, it features the ground-breaking use of amateur … The Battle of Algiers", "Film Director Gillo Pontecorvo; 'Battle of Algiers' Broke Ground", "Breaking the silence: the Catholic Church and the "dirty war" ", A Pigeon Sat on a Branch Reflecting on Existence, https://en.wikipedia.org/w/index.php?title=The_Battle_of_Algiers&oldid=981562641, Articles containing Italian-language text, Articles with unsourced statements from April 2019, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 October 2020, at 02:48. "[32], At the time of the 2003 Pentagon screening, legal and "pirate" VHS and DVD versions of the movie were available in the United States and elsewhere, but the image quality was degraded. Many of these responsables would be assassinated by the FLN. [25] People continued to argue about the grounds of the war and colonialism, and argued anew over how these were portrayed in the film. The 5,000 man strong 10e DP had just returned from the Suez campaign. Saadi Yacef who plays El-Hadi Jaffar and Samia Kerbash who plays Fatiha are both said to have been members of the FLN and Pontecorvo is said to have been greatly inspired by their accounts. The Battle of Algiers also features thousands of Algerian extras. Algeria succeeded in gaining independence from the French, which Pontecorvo addresses in the film's epilogue.[3]. It is based on events by rebels during the Algerian War (1954–1962) against the French government in North Africa; the most prominent being the titular Battle of Algiers, the capital of Algeria. The FLN commandeer the Casbah via summary execution of Algerian criminals and suspected French collaborators; they commit terrorism, including bombings, to harass Europeans. The city had been divided into squares under a system known as quadrillage with each allotted to a Regimental command. The French authorities, who were very sensitive on the Algerian issue, banned the film for three months." In France the film met with fierce hostility, such that it was several years before it went on general release and several decades before it was shown on television. Special Issue: Gillo Pontecorvo’s Battle of Algiers, 40 Years On. Jonas Carpignano was born in 1984 and grew up in New York City and Rome. French paratroops are depicted as routinely using torture, intimidation, and murder. The film ends with a coda depicting nationalist demonstrations and riots, suggesting that although France won the Battle of Algiers, it lost the Algerian War. Login via your Solinas 1973 offers less interpretative work but contains essential source material, including the screenplay. Pontecorvo intended to have them portray the "Casbah-as-chorus", communicating with chanting, wailing, and physical effect. It succeeds tactically, but fails strategically. [10], To meet the demands of film, The Battle of Algiers uses composite characters and changes the names of certain persons. Following the burial of the dead from the casino, the Pied-Noirs started a ratonnade that resulted in five Algerians dead and more than 50 injured. In April one of Yacef's collaborators, Djamila Bouhired was arrested by a French patrol, Yacef following her and disguised as a woman attempted to shoot her, but only succeeded in wounding her and Yacef fled back into the Casbah. option. "[24], Given national divisions over the Algerian War, the film generated considerable political controversy in France and was banned there for five years. Both insurgent groups and state authorities have considered it to be an important commentary on urban guerrilla warfare. 3. Choose an adventure below and discover your next favorite movie or TV show. [29], On 9 February, paratroopers of the 2nd Parachute Chasseur Regiment (2e RCP) arrested a prominent young lawyer and FLN sympathiser Ali Boumendjel. Each quarterly issue of Cineaste features exclusive interviews with world-famous and up-and-coming filmmakers, feature articles on topical and historical subjects, and separate sections of Film Reviews, DVD Reviews, and Book Reviews. Yacef Saâdi proceeded to establish an organisation based within the Casbah. [5] In 2010, Empire also ranked the movie 6th in The 100 Best Films Of World Cinema. Ghirelli 1979 is a slightly fuller account, including information on the making of the film. The paratroops laid charges to blow away the false partition behind which Ali and his comrades were hiding, unfortunately the explosion detonated a store of bombs destroying the house and several neighbouring buildings, killing Ali, his two comrades and 17 other Algerians in neighbouring houses.[41]. Martin was a veteran; he had served in a paratroop regiment during the Indochina War and he had taken part in the French Resistance. Founded in 1967, Cineaste is one of America’s oldest film quarterlies and has long been regarded worldwide as one of America’s most important film magazines. [8] Yacef wrote the book while he was held as a prisoner of the French, and it served to boost morale for the FLN and other militants. A restored print had been made in Italy in 1999. JSTOR®, the JSTOR logo, JPASS®, Artstor®, Reveal Digital™ and ITHAKA® are registered trademarks of ITHAKA. This item is part of JSTOR collection Anibal Acosta, one of the ESMA cadets interviewed 35 years later by French journalist Marie-Monique Robin, described the session: They showed us that film to prepare us for a kind of war very different from the regular war we had entered the Navy School for. [15], On the afternoon of Saturday 26 January, female FLN operatives again planted bombs in European Algiers, the targets were the Otomatic on Rue Michelet, the Cafeteria and the Coq-Hardi brasserie. [15], While females had not previously been searched in Algiers; following the Coq Hardi explosion one of the waiters identified the bomber as a woman. [16], In late January the FLN called an 8-day general strike across Algeria commencing on Monday 28 January. They were preparing us for police missions against the civilian population, who became our new enemy. [33], Major Aussaresses was unapologetic regarding the actions he had undertaken during the battle, he said that "The justice system would have been paralyzed had it not been for our initiative. One of the most influential political films in history, The Battle of Algiers, by Gillo Pontecorvo, vividly re-creates a key year in the tumultuous Algerian struggle for independence from the occupying French in the 1950s. takes us through an eclectic mix of favorite films, including works by Jane Campion, Lars von Trier, and Satyajit Ray. Sound familiar? The film has been critically acclaimed. Use the HTML below. [28] Following interrogation the vast majority of suspects were sent to camps, while those deemed too dangerous were driven to a remote location outside of Algiers where they were machine-gunned and buried. The Battle of Algiers (1966) offers a moving account of an early phase in the Algerian war of independence. Soon the entire Arab population builds to a mad fervor. He chose people whom he met, picking them mainly on appearance and emotional effect (as a result, many of their lines were dubbed). Director Gillo Pontecorvo's highly acclaimed masterpiece THE BATTLE OF ALGIERS is regarded as one of modern cinema's finest achievements. Hocine Aït Ahmed, Ahmed Ben Bella, Mohammed Boudiaf, Mohamed Khider and Mostefa Lacheraf were arrested. [citation needed], Yacef wrote his own screenplay, which does not have any conversations or plot. Early in his career, he wrote background music for radio dramas, composed classical pieces, and performed in jazz bands, but it was his sixties movie scores for Sergio Leone—specifically his now ubiquitous woodwindy wah-wah for The Good, the Bad and the Ugly—that put him on the international map. The Battle of Algiers, Italian-Algerian war film, released in 1966, that is the signature achievement of director Gillo Pontecorvo and an acclaimed experiment in cinéma vérité. He introduced the movie approvingly and added a religiously oriented commentary to it. Francione, Fabio, ed. [7], On 19 June 1956 two FLN prisoners were executed by guillotine at the Barberousse Prison. All Rights Reserved. The Making of The Battle of Algiers by Irene Bignardi t's 1960," Gillo tells us. [24] Alleg was subjected to the gegene and waterboarding, following his release he wrote his book La Question published in 1958 which detailed his final meeting with Audin and his own experience of torture. Oxford Bibliographies Online is available by subscription and perpetual access to institutions. On 22 October 1956, a Moroccan DC-3 plane ferrying the foreign affairs personnel of the FLN from Rabat to Tunis for a conference with President Bourguiba and the Sultan of Morocco was re-routed to Algiers. institution. Overview of Pontecorvo’s entire career with detailed discussion of the major films and of Pontecorvo’s Return to Algiers (Bevilacqua 1992, cited under Documentaries). [2], The Battle of Algiers was inspired by the 1962 book Souvenirs de la Bataille d'Alger, an FLN military commander's account of the campaign, by Saadi Yacef. Made in 1966, it documented Algeria's war for independence. To understand why, come to a rare showing of this film. It was shot on location and the film's score was composed by Ennio Morricone. These arrests generally took place at night so that any names revealed under interrogation could be picked up before the curfew lifted in the morning. Cineaste Publishers, Inc. is the publisher of Cineaste Magazine. Marxist Poetry: The Making of 'The Battle of Algiers' The story begins and ends from the perspective of Ali la Pointe (Brahim Haggiag), a petty criminal who is politically radicalized while in prison. The actors credited are: Sound—both music and effects—performs important functions in the movie. The conflict began as a series of attacks by the FLN against the French forces followed by a terrorist attack on Algerian civilians in Algiers by a group of Pieds-Noirs (European settlers), aided by the police. The Battle of Algiers (Italian: La battaglia di Algeri; Arabic: معركة الجزائر‎, romanized: Maʿrakat al-Jazāʾir) is a 1966 Italian-Algerian historical war film co-written and directed by Gillo Pontecorvo and starring Jean Martin and Saadi Yacef. [27], The release of The Battle of Algiers coincided with the decolonization period and national liberation wars, as well as a rising tide of left-wing radicalism in Western nations in which a large minority showed interest in armed struggle.

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