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He also belonged to the collective Grand Union. In 1962, he became a charter member of the avant-garde dance collective, Judson Dance Theater. There are 100+ professionals named "Steve Paxton", who use LinkedIn to exchange information, ideas, and opportunities. Paxton began his movement studies in gymnastics and then trained in martial arts, ballet, and modern dance. W3 Awards: 2008 Silver Winner, Best Cultural Institution Website Sharing the Dance: Contact Improvisation and American Culture. In 1965, Billy Klüver sought the expertise of some 30 engineers at Bell Labs, requesting that they participate in an project blending avant-garde theatre, dance and new technologies. Subsequent to his 1994 FCPA grant, Paxton has received a 1995 John Simon Guggenheim Memorial Foundation Fellowship, a 1999 New York Dance and Performance “Bessie" Award, and the Golden Lion for Lifetime Achievement from the 2014 Dance Biennale in Venice. Steve Paxton is a choreographer and dancer. (1939-) Steve Paxton the inventor of contact improvisation (or “contact improv”), a form of dance characterized by two or more people moving together in almost constant and spontaneous contact. 1987 grant, $2,000: By this time Contact Improvisation had become very popular, and much of my time was spent teaching it to beginners. FCA depends on artists to fund its programs; to date, over 1,000 artists have contributed paintings, sculptures, drawings, prints, photographs, performances, and videos to help fund grant programs that directly support individual artists working in dance, music/sound, performance art/theater, poetry, and the visual arts. Steve Paxton the inventor of contact improvisation (or “contact improv”), a form of dance characterized by two or more people moving together in almost constant and spontaneous contact. Like his post-modern contemporaries, Paxton's choreography questioned the established parameters of dance and used movements like walking and running, which had not usually been considered part of dance vocabulary. From 1961 to 1965, he performed in several works by Merce Cunningham. 2011 .CA Impact Awards, Best Cultural Institution Website Paxton, Steve. Paxton was a member of José Limón's company in 1960 and danced for Merce Cunningham from 1961 until 1964. More importantly, we listen and that means we find solutions that are tailored to you. 1933, Phoenix (Arizona, U.S.); lives in Newport, (Vermont, U.S.) In the early 1960’s, Steve Paxton was a dancer with the Jose Limon company. In the 1980s, Paxton performed in public infrequently and usually only appeared in improvised solos. Dancer, Choreographer It has influenced many choreographers and is widely used as a teaching tool. Find resources of interest to you and your family, eLearning Category Winner Throughout his career, Paxton's singular investigation of improvisation has opened new ideas in creating and composing choreographic work. FCA will allocate the resources necessary to embody this goal in our programs, grant-making, board and staff recruitment, and institutional culture. The Daniel Langlois Foundation Collection, [Documents available in the collection about Steve Paxton...], [Documents available in the collection by Steve Paxton...]. In 2013, Dia Art Foundation presented Night Stand (2004), a work by Paxton and Lisa Nelson, at Dia:Chelsea in New York City. 9 Evenings: Theatre and Engineering fonds, Finding Aids. He was a founding member of the dance collectives Judson Dance Theater and Grand Union (with Yvonne Rainer, Barbara Lloyd, Nancy Lewis, David Gordon, Douglas Dunn, and Trisha Brown). Steven Paxton utilizes the latest technologies, market research and business strategies to exceed your expectations. In 1962, Paxton became one of the founding members of the Judson Dance Theatre. Novack, Cynthia J. (Education Website) Communicator Awards, Dancing Through Time: Past, Present, Future. Born Phoenix, AZ, 1939 Paxton began his movement studies in gymnastics and then trained in … Paxton received a $25,000 Grants to Artists award in 1994, with which he hired a small dance company to learn his new technique, Material for the Spine. Following this period of joint creation with the members of the Judson Dance Theatre, he developed the technique of contact improvisation. 820 Greenwich Street This became Material for the Spine, a workshop that I continue to teach.". W3 Awards: 2008 Gold Winner, Best Educational Website Paxton's work has been presented at the Museum of Modern Art, Tanz im August in Berlin, Španski Borci Cultural Centre in Ljubljana, 9th International Contemporary Dance Festival in Venice, Baryshnikov Arts Center, and Tanzwerkstatt Europa in Munich. Paxton has been a contributing editor to Contact Quarterly and published the DVD Material for the Spine in 2008. This site will look much better in a browser that supports web standards, but it is accessible to any browser or Internet device. It has been called an “art-sport," and I was aware that the sport aspect had become ascendant. Steve Paxton was one of the founding members of the Judson Dance Theater, and it was in this context that he met Billy Klüver. Paxton wrote the following about each of his early FCPA grants: 1972 grant, $500: The performance at the John Weber Gallery took place over a week in June 1972, with the audience invited for anytime in the afternoons. Since its inception in 1963, the mission of the Foundation for Contemporary Arts has been to encourage, sponsor, and promote innovative work in the arts created and presented by individuals, groups, and organizations. New York, NY 10014, 1/4: Rehearsal still from Merce Cunningham's. In 1972, he conceived open-process performances at the John Weber Gallery in New York (Paxton received a $500 FCPA grant that year in support of these performances). He is the founder of Contact Improvisation. We'll show you how. View the profiles of professionals named "Steve Paxton" on LinkedIn. It was titled Contact Improvisations. W3 Awards: 2008 Silver Winner, 2010 Award of Distinction Bach Played by Glenn Gould Improvised by Steve Paxton (1986-91) and Some English Suites, also by Bach and Gould, (1991-2005). View the profiles of people named Steve Paxton. Paxton remains an active participant in improvisational performances and solos. He is the founder of Contact Improvisation. Other works were conceived as performance installations, such as Physical Things (part of 9 Evenings: Theatre and Engineering held at the 69th Regiment Armory in New York, 1966), a constructed environment that centered on a polyethylene air-inflated tunnel that the audience walked through to encounter props, image projections, sounds, and performers. Middletown, Conn.: Wesleyan University Press, 2003: 175-184. Two of Paxton's works, Flat (1964) and Satisfying Lover were performed as part of the White Oak Dance Project's PASTforward tour in 2000-2001. “Also supported by [grants from FCA], as an influence of the work which they enabled, two solo performances of my own: The Goldberg Variations by J.S. We are dedicated to dialogue, inquiry, and equity actions with our artist community in an ongoing effort to ensure a diversity of thought and experience within our organization and in our grant-making. Join Facebook to connect with Steve Paxton and others you may know. From Contact Improvisation, he developed Material for the Spine in 1986, a practice that examines movement outward from the core of the body. Since his initial experimentation with the form, Paxton has also investigated solo improvisations and has created set choreography. Since his initial experimentation with the form, Paxton has also investigated solo improvisations and has created set choreography. In 2014, Dia:Beacon presented a year-long performance retrospective of Paxton's works from 1964 to 2010. This lexicon of movements is danceable by most able-bodied people unlike more exclusionary forms of dance, including ballet, that require proficiency in technical feats only an elite few are capable of executing. During his time with Grand Union, Paxton first formulated Contact Improvisation, a dynamic, partner-based movement that is now practiced worldwide.

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