conflict in a clockwork orange
Sigmund Freud’s Theories | Simply Psychology. You Existentialism. ‘Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him?’ questions the Chaplain in criticism of Alex’s treatment. The main external conflict of this book is the violent actions that people like Alex commit in a violent society.The lack of moral values in people and the lack of aspirations in these peoples lifes. Available at: http://www.britannica.com/topic/Oedipus-complex, Sparknotes.com, (2016). A Clockwork Orange (1971) Plot. This question appears four times in the first chapter and at the start of each individual part of the novel. Rather than behave in accordance with social norms, these characters try to live as honestly as then can, doing simply what they want to do. The two cultures present in the novel are that of the bourgeois and the nadsats. The Specter of the Absurd: Sources and Criticisms of Modern Nihilism. Alex reflects on his violent youth and hopes for a wholesome future, finally making his own purpose in wishes for marriage and children. A Clockwork Orange. In Part 1, as a brutish anti-hero, Alex consciously chooses to do wrong and to embody his absolute free will. ‘I fired four more times at the motionless body’, notes Meursault, ‘I don’t know why, but something inside me snapped.’ These further shots served no purpose: the Arab was dead. When Raymond asks him to write a letter that will help him torment his mistress, Meursault indifferently on the basis that he ‘didn’t have any reason not to.’ This implies that he does not place any value judgment on his act: a mere microcosm of his character. Further illustration of Alex and Meursault’s dominant Id comes when they both fulfil, to some extent, the Oedipus Complex. Available from: https://gradesfixer.com/free-essay-examples/philosophical-morality-in-a-clockwork-orange-and-the-stranger/, Recieve 100% plagiarism-Free paper just for 4.99$ on email, *Public papers are open and may contain not unique content. It is set in a dismal dystopian England and presents a first-person account of a juvenile delinquent who undergoes state-sponsored psychological rehabilitation for his aberrant behavior. Whilst ‘A Clockwork Orange’ seems to lean more towards an existentialist philosophy, heavily influenced by Burgess’ own opinions, ‘The Outsider’ concludes as an absurdist work describing absurdism in it’s truest form and articulating the thoughts of Camus, the father of absurdism himself. At the end it becomes clear that ‘The Outsider’ is simple a hyperbolic, semi-autobiographical description of the emerging popularity of absurdism. State University of New York Press, Crowell, Steven, “Existentialism”, The Stanford Encyclopedia of Philosophy (Spring 2015 Edition), Edward N. Zalta (ed. The three practical ways to deal with such a circumstance are therefore suicide, embracing a meaning framework such as religion or accepting the lack of meaning and living on despite this. Both characters end up surprisingly content, comfortable in their change – Alex to a good man and Meursault to a man at peace with his personal philosophy. Hence, human beings, regardless of their personal nature, should never be deprived of their freedom of self-determination. Alternatively, you could view the constant repetition of ‘What’s it going to be then, eh?’ as Alex desperately questioning his direction and purpose. Although all are heavily influenced by the beliefs of Søren Kierkegaard, they have been developed further by the likes of Jean Paul Sartre and Albert Camus himself.
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