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Synopsis As a reckoning looms, the two fathers are forced to make the hardest choices of their lives. See here for a complete list of exchanges and delays. His younger sister looks up to him, and his parents are proud of their son. His obsession with the hunt for the driver becomes its own kind of denial, something to cling to in a desperate need to distract himself from his son’s death. Dwight Arno (Mark Ruffalo) is the driver of the SUV and for a split second he stops, because it was an accident, then he panics and drives away. Their favorite team, the Red Sox, is playing - and, hopefully, heading for the World Series. There, in one terrible instant, he is taken from them forever. The police are called, and an investigation begins. A long, excruciating confrontation between the boy's family and the lawyer's ensues, until the story reaches a cathartic conclusion. There, in one terrible instant, he is taken from them forever. Even when Ethan searches the Internet for a gun, you don’t anticipate a new “Death Wish.”. A fatal hit-and-run accident provides a terrible intersection in the lives of two families, but to sustain the movie as a “dramatic thriller,” the callous driver -- played by Mark Ruffalo in a sweaty-palms performance -- cannot stop or turn himself in for weeks until the grieving father, Joaquin Phoenix, has driven himself into a homicidal frenzy. Dwight cherishes his time spent with Lucas. Gradually, though, sympathy slips away here too, at least as far as Ethan is concerned. Making him a lawyer only exacerbates the lameness of his behavior. He shuts down emotionally, estranging himself from his wife and young daughter Emma (Elle Fanning) and spends hours in Internet chat rooms where parents of hit-and-run victims find solace and fuel one another’s emotions in unhealthy ways. Neither situation is particularly appetizing to watch nor do two extremely unlikely coincidences help matters. Director: Terry George; Screenwriters: John Burnham Schwartz, Terry George; Based on the novel by: John Burnham Schwartz; Producers: Nick Wechsler, A. Kitman Ho; Executive producers: Dean M. Leavitt, Gina Resnick; Director of photography: John Lindley; Production designer: Ford Wheeler; Costume designer: Catherine George; Music: Mark Isham; Editor: Naomi Geraghty. Actor Mark Ruffalo attends the "Reservation Road" gala at the … He mumbles something about worrying about losing his son, who was asleep when the accident occurred and unaware anyone was hit. Then come the coincidences. “Reservation Road” represents a very tough sell for Focus Features as the film gets caught somewhere between a domestic weep-athon and revenge melodrama. But these characters make poor candidates. "Reservation Road," John Burnham Schwartz's 1998 novel about the aftermath of a fatal hit and run, doesn't end on a cliffhanger. Audience sympathy never finds a natural outlet in this troubling drama, scripted by director Terry George and John Burnham Schwartz, based on Schwartz’s novel. On a warm September evening, law associate Dwight Arno and his 11-year-old son Lucas are attending a baseball game. In a split second Josh is hit by an SUV and killed. Reservation Road grossed a total of $36,269 in its first weekend. George’s production team has put together a bucolic, suburban New England backdrop to this tale of misery and frustration, while Mark Isham’s measured music speaks to the pain beneath its surfaces better, unfortunately, than the melodrama itself. Reception. Josh is hit and killed in. When their daughter Emma (Elle Fanning) asks to go to the restroom, Ethan parks the car in a gas station on Reservation Road and Josh goes to the shoulder to release the fireflies. | It ended up making $121,994 in the United States, and ended with a worldwide gross of $1,783,190. Ethan hires Dwight to represent his legal interests with the state police, whom he rages against for not finding the perpetrator.

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