Insights

Pick up our incredible creature height chart and stickers! Olafur loves exploring nature in his artwork. Visit olafureliasson.net; studiootherspaces.net; or littlesun.com or follow @olafureliasson on Twitter; @studioolafureliasson and @soe_kitchen on Instagram; and @studioolafureliasson on Facebook. In the 16 years since, Eliasson has been celebrated internationally as one of the most exciting artists working today. The exhibition explores geometry as a major theme that continues to characterise Eliasson’s practice today, with many works, such as Stardust particle 2014, created using complex interlocking shapes and crystalline structures. Following the presentation at Tate Modern the exhibition will tour to the Guggenheim Museum Bilbao from 14 February to 21 June 2020. Visitors enter a tunnel of luminescent fog, stepping forward uncertainly, hands stretched out into the swirling atmosphere: what pilots used to call 10-tenths, or nil visibility. The hundreds of objects before you – suspended, heaped, tumbling, static – are beautiful yet humble. An early work here is called No nights in summer, no days in winter. Niagara Falls in London. Win a trip to Olafur’s studio in Berlin. In 2012 Eliasson founded the social business Little Sun, and in 2014 he and architect Sebastian Behmann founded Studio Other Spaces, an office for art and architecture. Star ratings (out of five)Olafur Eliasson: In Real Life ★★★★Takis ★★★★, • Olafur Eliasson: In Real Life is at Tate Modern until 5 January, • Takis is at Tate Modern until 27 October. Do you think art can make a difference when it comes to the climate emergency? - but the longer you stay, the more captivating the sensual effects. Olafur Eliasson’s Beauty: ‘a room of quiet rain’. Olafur Eliasson: best in show. There are ice paintings, made by placing chunks of glacial ice from the coast of Greenland on top of coloured pigment, so that it fades and swells into drifting watercolours. It is the active character of the art in this show that counts: its open call for visitors to feel more, sense more and, above all, to do it together. Visitors can create crazy colourful shadows, travel through shimmering kaleidoscopic tunnels, wander around fog-filled rooms, and bathe in eerie yellow light. Supported by With additional support from the Olafur Eliasson Exhibition Supporters Circle 1967) returns to Tate Modern with a major exhibition of his career to date, following his world-renowned installation The weather project in 2003. A tiny patch of ice on a mirror, reflected by a floodlight on to an expanse of gauze, turns into a spectral form, twisting and turning on what is now becoming a silver screen. Eliasson creates works that continually prompt viewers to think about the nature of perception. Each strobe lasts only a fraction of a moment. Takis (born 1925) makes the most whimsical forms out of chunks of discarded metal – insects out of antennae, pugnacious critters out of dials and gauges, glowing humanoids out of old lightbulbs. This includes projects such as Little Sun, first launched at Tate Modern in 2012, which provides solar-powered lamps and chargers to communities without access to electricity; Green light – An artistic workshop, in which asylum seekers and refugees, together with members of the public, constructed Green light lamps and took part in accompanying educational programmes; and Ice Watch, an installation of glacial ice from Greenland, most recently staged outside Tate Modern and Bloomberg’s European headquarters, which aims to increase awareness of the climate emergency. The first room of the show is instantly dramatic: a cosmology, as it seems, housed in a single vast vitrine. Your spiral view 2002 is like a giant kaleidoscope you can walk through. Click here to find out how to enter! Why do you find this colour so interesting?The yellow lights I use are actually common street lamps in some countries. Over the course of the project, two 10-metre-long tables filled with the rubble of LEGO will gradually be transformed into a sprawling cityscape! A selection of the artist’s kaleidoscopic sculptures including Your spiral view 2002 and the newly created Your planetary window 2019, play with light and space to create optical illusions that encourage visitors to see their environment in new ways. Some of this is direct to the point of didactic: the ice boulders from Greenland installed outside Tate Modern last year, for instance, gradually dwindling beneath our hot hands. It is curated by Mark Godfrey, Senior Curator, International Art, and Emma Lewis, Assistant Curator, in close collaboration with Studio Olafur Eliasson. The sight is immediately dramatic - it’s raining inside! Olafur Eliasson: Near future living light is on view until 24 October at neugerriemschneider, Berlin.. 15 Days Ago ⤶ ‘Sheer exhilaration’: Olafur Eliasson’s Your Blind Passenger at Tate Modern. You can also build your own vision of a future city using white LEGO bricks – with The cubic structural evolution project 2004. In 2003 The weather project, installed in the Turbine Hall of Tate Modern, was seen by more than two million people. While you wait for it to be checked and approved why not to add Tate Modern, LondonFrom foggy tunnels to galleries of rain, Olafur Eliasson’s hypnotic installations highlight the state of the planet, while sculptor Takis’s humanoids and insects are just magnetic. Nearby, set directly into another wall, is a large glass sphere that turns the world upside down. Why is it important for you to use nature in your work?As human beings, we often assume that we are living outside nature. Olafur Eliasson: In Real Life, the Tate Modern’s latest retrospective of the artist, pulls together 38 works dating back to 1990 through to today. Tate Modern, London 11 July 2019 – 5 January 2020. There is such a strong affinity between this show and that of the Greek sculptor Takis, shown on the other side of the Turbine Hall, that each seems to lead directly to the other. Curated by Mark Godfrey, Senior Curator, International Art, Tate Modern with Emma Lewis, Assistant Curator, International Art, Tate Modern. I am hopeful when I see how many young people around the world are taking part in climate marches, in the Fridays for Future, demanding that those in power address the climate emergency. Collect wildlife stickers with Fruit Bowl & NG KiDS! The exhibition is accompanied by a series of public events throughout the gallery and in the Terrace Bar, as well as a new catalogue from Tate Publishing which gives insight into Eliasson’s thinking through conversations between the artist and a wide range of collaborators including architects, musicians, chronobiologists and neuroscientists. This is based on organic, vegetarian and locally sourced produce that is central to the Studio’s own kitchen in Berlin. Images will be removed after the exhibiton has closed. The most entrancing experience is possibly the simplest: a room of quiet rain, through which rainbows play in the misty spray. Reindeer moss from Iceland is woven into wire mesh and mounted on the gallery in Moss wall 1994. Further works in the show address the impact humans have on the environment, including a series of photographs of Iceland’s glaciers taken by the artist in 1999. Eliasson, who was born in 1967, grew up in Denmark but spent his summers in Iceland. Olafur Eliasson: In real life is open until 5 January 2020. In the town where they lived there was a rule during the 1970s that everyone had to stop using electricity in the evenings to conserve energy. Helix and hemisphere, mobius strip and geodesic dome, pyramid and globe: these fundamental forms underpin everything he creates, often in conjunction with mathematicians and scientists. A focal point is the extensive Model room 2003, bringing together around 450 models, prototypes, and geometrical studies of various sizes that record Eliasson’s collaboration with his studio team and, notably, Icelandic artist, mathematician and architect Einar Thorsteinn (1942–2015). Us, too! So when I use materials taken from nature you see them in a new light and ask yourself, what is natural? The show culminates with a space called The Expanded Studio, which explores Eliasson’s deep engagement with social and environmental issues. Follow our simple instructions to make a super-scented orange & clove pomander! You start to hear, smell, and feel things more intensely. Can you tell us more?You may not realise it, but every artwork is always waiting for you to finish it – it is nothing if you are not looking at it. It opens with a waterfall of spectacular proportions and continues with a journey through the elements, including – literally – earth, sea and fire. Press Release While none are … Olafur Eliasson: In real life is at Tate Modern from 11 July 2019 until 5 January 2020. Eliasson’s projects in public space include Serpentine Gallery Pavilion 2007, designed with Kjetil Thorsen for London’s Kensington Gardens; The New York City Waterfalls, 2008; and Ice Watch, for which Eliasson and geologist Minik Rosing transported massive blocks of glacial ice from Greenland to Copenhagen (2014), Paris (2015) and London (2018) to raise awareness of climate change. Olafur Eliasson: In real life is open until 5 January 2020. Olafur Eliasson (b. Eliasson believes in the impact of art outside the museum. Beauty (1993) A fine mist of rain plays in the spotlit darkness of a cave-like gallery. Photographs of Icelandic ice floes, taken over a period of two decades, show the visible shrinkage. Olafur Eliasson: In real life is at Tate Modern from 11 July 2019 until 5 January 2020. Last year he brought chunks of ice from the Greenland ice sheet to London to raise awareness of our warming planet! And it is emerging from a humble scaffolding tower. Help create a 3-D structure using Zometool construction sets. You already are an artist. A field set in swaying motion, in the mind’s eye as well as reality, through the fundamental forces of gravity. On the terrace outside Tate Modern, visitors first encounter Waterfall 2019 – a dramatic new installation measuring over 11 metres in height.

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