Insights

Tim Brayton, our seasoned film critic, shares a more critical view of film, an appreciation for vintage cinema and perhaps limited-release movies that we might otherwise miss. This was the first break we'd had in the weather in three days and could be our last chance for some while to get the body in the ground. They provide invaluable information in a fashion that is at times achingly poetic yet completely natural. ... she realizes that she hopes it will end in their marriage. Two men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjusting to life after war. "Yep. Henry was back to digging again when I saw Laura coming toward us, picking her way across the drowned fields with a bucket in each hand. When he reached up and clasped it, I had to stop myself from smiling. Laura also gets the first of the film’s internal monologues, moments of voiceover that Rees wrote with Virgil Williams in the adaptation of Hillary Jordan’s novel. And part of that is that I’m a minority, and, quite frankly, there are too many fatherless black children in the world. Henry also has a wife, Laura (Carey Mulligan). How did it feel to approach a story about that experience that was, ultimately, created by a white person with an MFA? Hillary Jordan's first novel, Mudbound, is a story of racism and well-kept secrets. "I'd better keep at it," I said, turning away and picking up the shovel. I'm here!" She started it while studying for an MFA in Creative Writing from Columbia University. As they strive for love and honor in a brutal time and place, they become players in a tragedy on the grandest scale. Henry reached for the lid. Mudbound (affiliate links: Amazon, B&N, Book Depository) opens with two brothers, Jamie and Henry McAllan, hastening to dig a grave for their father before the rains start again; while Henry’s wife, Laura, barely conceals her relief at the old man’s death. The clouds overhead were the color of ash, but there was a vast black mass of them to the north, and it was headed our way. Unfortunately for Jamie, his escape was World War II. The stories Jordan heard about the family farm when she was growing up were mostly charming and funny. What makes Alternate Ending different from other film sites and podcasts? Summary. The thought of it kept us digging even after the blisters on our palms had burst, re-formed and burst again. Mudbound won the 2006 Bellwether Prize for socially conscious fiction. I looked at the sky. The sight of it gave me a sharp, unexpected pang. Mudbound (2008) is the debut novel by American author Hillary Jordan. We want to celebrate our different opinions, and celebrate yours as well. Both of them are working on the grave when the storm hits, and Jamie gets stuck. Your purchase helps support NPR programming. Two men return home from World War II to work on a farm in rural Mississippi, where they struggle to deal with racism and adjusting to life after war. ", "No," said Henry. I believe that viewers of different races will find different entry points into the film, but everyone will come out at the end with their viewpoints challenged and perhaps enriched. When his eyes found her they lit with emotions so private I was embarrassed to see them: longing, hope, a tinge of worry. As a minority, you’re more privy to these things than if you’re not. Get started. Part of me was outside myself, shaking my head at my own foolishness, but the man was powerless to help the bear. "Damn," Henry said, holding it up to the light. Jamie and Ronsel are celebrating with women in their own way when the war ends. He nodded. The water would start filling up the hole. The ending, of course, was different in the movie than the book and that was a contribution that I made that and that I’m most proud of. How? "It couldn't be helped," Henry said. Remember me? I was too far down, and our hands and the walls of the hole were too slick. “Mudbound” provides her a larger canvas and a sprawling, crowded plot. Blige is a revelation. How it can foster empathy and engender contempt, sometimes in the same person.

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