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This is a great movie which took me to a lot of exotic destinations such as 1960ies New York, the Factory family and the emerging transgender scene. Harron directs these actors to show this with perfection. The film is also a good looking film and looks like it probably would have back then. "I Shot Andy Warhol"... And what a loss it would have been, too, to the world of TRUE ART if she had succeeded in murdering him. The tragic tale of an all-American girl who was transformed into a cold-blooded killer in the summer of 1969. She becomes a model in advertising, and her New York agent, "the ... See full summary ». Metacritic Reviews. From "Veronica Mars" to Rebecca take a look back at the career of Armie Hammer on and off the screen. You must be a registered user to use the IMDb rating plugin. Based on the true story of Valerie Solanas who was a 60s radical preaching hatred toward men in her "Scum" manifesto. Her book SCUM Manifesto, is now published all over the world. it told of how valerie solanas came to write the SCUM Manifesto and why she shot Andy Warhol, hence the name of the film. After a short career on her college paper (she writes columns arguing that females can reproduce without males and should do so), Valerie takes on Manhattan; she writes plays, does readings in luncheonettes, and is befriended by Candy Darling (Stephen Dorff), a transsexual who takes her for the first time to the Factory. An irresponsible, drug-addicted, recently impregnated woman finds herself in the middle of an abortion debate when both parties attempt to sway her to their respective sides. Valerie, gives Andy Warhol's company (called the factor) her play and soon she comes back and talks to Andy about it and Andy gets her to star in a couple of movies that he directs. But i still feel that something is missing in this movie. I Shot Andy Warhol; I Shot Andy Warhol Review. The movie also does an excellent job of portraying the fragmented life and difficult personality of Valerie Solanas convincingly. I Shot Andy Warhol, is based on the true life story of Valerie Solanas, who was a female radical in the 60's and was a lesbian and very against men. A shallow, silly film that portrays all its characters, including Andy Warhol, as ditzy airheads. Thankfully, she has some help from some amazing back-up stars to only help boost her performance. Watching bra-burners on TV, Valerie complains, “They got their message from me.” She bombards the Factory for the return of her play. The directing by Mary Harron was so magnificent and brilliant that I cannot put it into words. Or maybe just a hyped-up talentless little autistic freak. Her hatred for men is text book, sexually abused as a child, forced into prostitution to support herself, that would lead any woman to lesbianism. The entire cast does a fantastic job. However, this small-budgeted film captures a decadently apathetic, coolly indifferent time and place quite vividly, as good as any post-'60s movie has yet managed. This was a gritty story not for everyone's tastes. Jared Harris is superb as Andy (one of the best reincarnations of him) and Stephen Dorff blazes onto the scene as Candy Darling. Solanas is a trash talking, independent thinker that somehow found herself next to one of the most modern men of our century, Andy Warhol. valerie's fast journey over the speed bump called fame, then her crash into the tree called insanity. She's a versatile and entertaining actress who certainly does not get enough credit. No one could have played it better. The initials stand for “The Society for Cutting Up Men.” Her friends, including a sometime lover named Stevie (Martha Plimpton) try to help her, but no one in this self-obsessed world really sees her, listens to her, and cares. Albeit suffering later from paranoia and mental illness, which is always a tragedy, her totally disgusting personality makes her anything but sympathetic. This is Valerie's story. She commands attention behind the camera, and her actors react with positive responses. Valerie Solanis (Lili Taylor). Lili Taylor plays Solanas as mad but not precisely irrational. When I first found this film I wasn't sure whom it was about. FAQ In the 1800s a naturalist marries into a family of British country gentry. I must admit to start that I admired Lili Taylor's performance of Valerie Solanas. She attended University of Maryland from 1954 to 58 where she developed her theory of the superiority of women. Variety calls Taylor “the first lady of the indie cinema,” and in one independent film after another (“Mystic Pizza,” “Dogfight,” “Household Saints,” “Arizona Dream,” “Bright Angel,” “Short Cuts”) she has proven herself the most intelligent and versatile of performers. I recognized the name from the title, but I was pretty sure that it wasn't all going to be about Andy Warhol. If Peeping Tom was directed by a woman, then it would probably resemble Mary Harron's wonderful I Shot Andy Warhol. View production, box office, & company info. In following the life of Valerie Solanas from her wounded childhood to her moment of vindication, director Mary Harron and actress Lili Taylor go inside the mind of a woman who was deranged and possibly schizophrenic, and follow the logic of her situation as she sees it, until her act is revealed as the inevitable result of what went before. After the first ten minutes, I didn't even recognize Taylor because she had successfully transformed herself into this insane (?) Lilli Taylor is great, and so is the rest of the cast. And since I've never met anyone who worships the ground Warhol walked on, I can't say as to what those people might think of this film...in its favor, the script is objective towards both Valerie Solanas and Andy. When Andy Warhol mused that in the future everyone would be famous for 15 minutes, he could not have anticipated that Valerie Solanas would earn her fame by shooting him. Of all the literary dinners ever shared by authors and their publishers, the encounter between Solanas and Girodias must rank as the most unlikely. She stole the scene from everyone and was never afraid to take Solanas to the next level. I Shot Andy Warhol movie reviews & Metacritic score: In 1968, mad, radical-feminist genius Valerie Solanas shot pop-art icon Andy Warhol, seriously wounding him. People who are neutral towards his "greatness" (like me) or unfamiliar with his work may lose interest in this film; only Lili Taylor's hard-edged performance keeps the somewhat muddled story above water. I recognized the name from the title, but I was pretty sure that it wasn't all going to be about Andy Warhol. Rated NR what makes this even more compelling is the fact that the shooter this time is a woman, although maybe its more commonplace now. But soon Valerie starts to get paranoid and thinks that Andy Warhol, has to much impact on her life and thinks that he and the book publisher are setting her up so she plans to make herself famous by shooting him. If you had to look at all of the films of one actor who has emerged in the last 10 years, you would run less chance of being bored with Lili Taylor than anyone else. Harris' performance as Warhol was very memorable. This is Valerie's story. “Jesus Christ, now she's shot somebody,” one of Warhol's assistants says. Her brash cinematography and direction seem to blend perfectly in this boiling pot of history. Her mix of documentary and biography genres works well in this film. The movie title could also be misinterpreted to be about one of Andy's many gay lovers. She is not in the history books labeled next to Andy Warhol, or is she one that oozes sympathy. **1/2 from ****. He should have won an award for his performance, this whole movie should have won awards. Use the HTML below. User Ratings Add a couple of fine acting performances and you still end up with a disturbing piece of 'pop' culture. This is one of those stories of a woman that wanted to attach herself to this great man, yet somehow couldn't. Sadly, this has the opposite effect and she is forced to live with the act that she committed instead of the words that she has written.Taylor was phenomenal in this role. Taylor is appropriately forceful and ungainly in her role, which is more complex than one might think, and yet hers is the least interesting or intriguing character on display.

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