Insights

His paintings and sculptures borrow widely from art-historical techniques and styles; although often seen as ironic or tongue-in-cheek, Koons … Flower Puppy for Guggenheim Bilbao (small), 1997, Puppy (vase in the form of West Highland Terrier), 1998, “Puppy (vase)”, White Glazed Porcelain, Signed/Numbered Edition of XX/3000., 1998, Dried Flower Puppy - Hecho a Mano. Jeff Koons ’s Puppy was first unveiled in 1992, as a mammoth 40-foot-tall flower-covered topiary. The resulting creation would become one of Koons’ greatest works entitled “Puppy,” a giant 43-foot-tall (13m) living plant sculpture of a West Highland Terrier (including flowers like the Marigolds, Begonias, Impatiens, Petunias, and Lobelias). Based off the original monumental Koons’ installation in Bilbao (and later in Rockefeller Center) this work is a miniature version of the iconic sculpture. Jose María Aguirre was the officer whom gave his life in order to prevent the detention of several explosives. Koons was also commissioned to create a duplicate of the Bilbao statue Puppy for media mogul Peter Brant and his wife, model Stephanie Seymour, for their Connecticut estate, the Brant Foundation Art Study Center. Modeled after a West Highland Terrier, Puppy exemplifies the artist’s childlike fascination with everyday objects such as balloon dogs and vacuum cleaners, and his ability to transmit the wonder with which he looks … Majority of the sculptures were created with green seasonal flowers. In the wake of the controversy triggered by Made in Heaven, Koons brought to critics and audiences what would become one of his most iconic and best-loved creations, Puppy. A behemoth West Highland terrier carpeted in bedding plants, Puppy employs the most saccharine of iconography—flowers and puppies—in a monument to the sentimental. Koons released 3,000 original editions of a vase version of Puppy in 1998, and an additional 100 editions were released on May 30, 2018 to celebrate the sculpture’s twentieth anniversary. Working with seductive commercial materials (such as the high chromium stainless steel of his “Balloon Dog” sculptures or his vinyl “Inflatables”), shifts of scale, and an elaborate studio system involving many technicians, Koons turns banal objects into high art icons. This enormous flower-strewn West Highland white terrier was temporarily installed in 1992 in the great courtyard of the Waldeck baroque castle in the German town of Bad Arolsen, near Kassel where Documenta IX was being held. Porcelain puppy would also be re-issued by Gagosian Gallery. Koons commented that this sculpture was to represent, “confidence and security.” Less known, however, was how this Puppy played a role in the greatest security breach at the Guggenheim Bilbao (Spain). The dog designed by Jeff Koons does not represent any real dog, but could be a mirror of any of our canine friends. in the space that today is home to the Txema Aguirre Square, he has not moved. American artist Jeff Koons, famous for his large scale cartoony sculptures, was commissioned to create a piece to be displayed at Bad Arolsen in Germany in 1992. The colorful and ever-changing sculpture is now on permanent display at the Guggenheim Bilbao. The miniature replica Puppy comprised of dried flowers sitting atop of a plastic base foundation (printed on base: Jeff Koons, 1992, hecho a mano), shape of which mimicked the original creation (original contents included a clear plastic display box with a hand folded instruction booklet). | Guggenheim Bilbao, 1992. Jeff Koons’s Puppy was first unveiled in 1992, as a mammoth 40-foot-tall flower-covered topiary. In honor of the Policeman’s bravery, the plaza in which Puppy resided was renamed to honor Aguirre. Tall head, eyes forward, always sitting waiting for attention, maybe waiting on the next command… But since the time Puppy was planted (literally!) Jeff Koons, Puppy Vase, 1998. Due to the costly price for the original eight inch scale-miniature, a smaller cost-effective sculpture was produced in a two inch model (with one version of the two inch sculpture set in a clear acrylic). The brighter sculptures composed of yellow, blue and purple flower combinations and were very uncommon; even more scarce of which comprised a sculpture with a distinct purple nose.

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