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Of course this being 1965 this is a million miles from porn, but simply referencing this stuff in a film is incredible enough. To succeed, she does not hesitate to take bold steps. I saw this film recently when it appeared as part of Fox Classics Australia's Spotlight on British New Wave Cinema. Film Casting: Spider-man 3, Resident Evil, Angelina Jolie and Christoph Waltz in Every Note Played, & More, Gemma Chan and Kiki Layne cast in Olivia Wilde’s Don’t Worry, Darling, Gemma Chan, KiKi Layne Join Olivia Wilde’s ‘Don’t Worry Darling’. It is not original to observe that nothing dates faster than last year's fashion, but in the case of John Schlesinger's Darling that observation is very apt. Want to share IMDb's rating on your own site? I doubt a character in any movie has been written to match Darling. Sparkling and memorable as it is, the musical scoring by John Dankworth was also dated by mid-1965 when this film came out. Don't be fooled by the Oscars. I had not seen this film since 1965 when I was a college student but remember how electrifying it was to see a young, charismatic Julie Christie at the beginning of her peak years. But at least the ending does not play upon sentimentality. secondtake 29 May 2011. Raphael's script is far too full of attempted epigrams and quotable quotes. : A Century of the Cinema: Let's Make Love. They really need to take another look at the film. It is almost as if the writers wanted to see how much they could get away with. Robert goes upstairs to try to re-establish his relationship with Diana; but Miles comes out of the bedroom and Robert flees. Honest, sometimes disturbing, and artistically considered. And besides the Oscars rarely give the award to the "best" performance or film of the year anyway. The finished result has the crisp, pastel colours of a Hannah Barbera cartoon, or an episode of the 1960’s series Batman, which Bankhead starred in as The Black Widow. User Ratings Schlesinger does a beautiful job of showing us '60s London as it was, and yet he managed to make a film that is just as timely now. [6][7], New York in 1971 wrote of mod fashion and its wearers: "This new déclassé English girl was epitomized by Julie Christie in Darling—amoral, rootless, emotionally immature, and apparently irresistible. Though since the entire movie is about nothing but her, I guess I'm splitting hairs. The events race forward and create a real tornado of activity, centering around one woman, Diana Scott, who is perfectly played by Julie Christie. And it did, Looped starring the late, great Valerie Harper, premiered in 2010. It won three academy awards for best actress, costume design, and screenplay. The film has a terrific performance by Bogarde and Christie was the best choice for an Oscar that year. What a delight. Darling Laurence Harvey, comes over rather better as the cynical and amoral seducer, but he, too, has too many quotable lines to make the part feel normal. Title: Julie Christie gives a raw, jagged performance as Diana Scott, a free-wheeling model/actress/whatever whose bedhopping exploits among the upper British classes cause her own self-destruction. Wasted on booze, it took the sound editor eight hours to sober her up and record that one line. | Dirk Bogarde is certainly excellent, too, and subtle, and indeed the whole cast is first rate, maybe because everyone is playing their contemporary selves with fictional names.So the movie is terrific, even if it sometimes seems to keep meandering through the paces over the whole two hours. No one but the great Julie Christie could have played this part; she is perfection. I just watched this movie for the first time and I loved it. An interesting take on whether this is an accurate picture at all of the times is in this short apolitical article: www.socialistreview.org.uk/article.php?articlenumber=10813.This movie ranks, for me, almost up there with "Alfie" and "Georgie Girl" (two of my favorites) as a look at the times in England. (1965). She has everything but love. A young Stefanie Powers in Die, Die My Darling! Her on-set behaviour has passed into legend; after the film had wrapped, Tallu was called back into the studio to re-dub a single line of dialogue. Robert has aged. His characters are fashionable types, his symbols are too often gimmicks; and Darling becomes a dangerously facile film. Metacritic Reviews. Not to be missed. But although it is cleverly conceived, the danger of Schlesinger's approach is that everything is so contrived that the film becomes essentially a tour de force. Working with the great but inebriated Tallu could be a double-edged blessing. The scene ends with the goldfish floating lifelessly on the surface of the fouled water. Change ), You are commenting using your Google account. London has never seemed so decadent and immoral as in John Schlesinger’s “Darling,” a transitional film of the mid-1960s, released after the height of the Kitchen Sink Realism School (“Look Back in Anger,” “Room at the Top,” “Saturday Night and Sunday Morning”) and around the time of the new movies about swinging London, beginning with the Beatles movies like “Help.”. She also seems rather too dim to be a scheming hussy, and I don't for a second buy the idea that she was merely interested in her modelling career. Crash Julia Roberts, Gweneth Palthrow, Gladitor I could go on and on. After a while, she literally strikes gold: she meets Robert Gold (Sir Dirk Bogarde), a well-known television journalist, who not only introduces her into new social and professional circles, but also abandons his family to live with her. She first appears walking along the street swinging her handbag – the same entrance as she made in "Billy Liar" and surely an indication that we are dealing with essentially the same character. She leads, but she also get towed along, falling in love, never seeming to be quite as happy as she should. Laurence Harvey and Dirk Bogarde are two of the rich and famous who Julie Christie beds in her horizontal climb up the celebrity ladder to fame and fortune. [9] Leonard Maltin's Film Guide describes it as a "trendy, influential '60s film – in flashy form and cynical content". But there she sees only the shallow reflection of her outer beauty when confronted with the deeper beauty of elderly women praying with grace and humility at a local church.

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