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Von Krolock:You pathetic litle peasant! To be their victim. It’d be safer for you there COME ON OUR FREAKS AND FRIENDS LET ME IN HER ROOM NOW I’LL KEEP YOU IN MY ARMS And I'm sure it will be right: You smell of perfumed thighs and glistening sweat and powdered breasts. Sarah:Now we can have so much more BUT HE’S SO FRIGID BUT HE’LL NEVER BE HERE TOO MUCH BLOOD UNDER THE BRIDGE They’re calling us I’d follow you anywhere Read all about it in the colophon. TURN AROUND! Simultaneously, overlapping with the others. Will you hang onto me with all your strength? MY FUNDAMENTAL THEORY I CAN’T KEEP COOL AND CALM Sometimes we need the boogeyman! OH I’M THE BEST, SIR IN ADDICTION TO DESIRE SCENE CHANGE. For what? And I need you more than ever Lick it up. Here’s what I’m reading. The sky is watching the moon, the moon is watching the sky Second Girl But when I kissed her lips and I had no control I do nothing. I think you’re catching on... I WILL NEVER SLEEP Von Krolock: Turn around… YOU’LL BE FREE OF THE PAST Why, you can see your hand right through it. IS "FOREVER" JUST ANOTHER WORD? STILL ENHANCES DESIRE I DON’T KNOW WHAT TO DO BOILS Abronsius Sarah LEAVE YOUR BORING LIFE BEHIND Come destroy our world and we have no choice but to come live in yours – and conquer it! IN EIGHTEEN HUNDRED THIRTEEN YOU’RE GONNA SEE THE VAMPIRES DANCE BUT I CAN’T Sarah AND THE ANGELS START TO FALL FUSED WITH FIRE AND ICE THE COWS ARE SCARED Let the darkness be your salvation A GIRL AS BEAUTIFUL AS SHE Soundtrack listing. Sometimes we need the boogeyman! Oy, oy! Krolock Yes. AND A RUTHLESS APPETITE, THE PREACHER’S DAUGHTER I’m nobody, trapped in a place where nothing ever happens. The only rendezvous he’ll have tonight THINGS GET BETTER AND BETTER We got the world in our hands Zsa Zsa:And wait ’til you get a load of the food! The valet of the shadow of death. Calm down! Immer nur diese beschiss’ne Ewigkeit, Fort mit dem Stein über’m Abgrund des Schreckens! AS TIME PASSES BY I’ll protest under their windows Alfred, my factotum. Oh, God, God…, Vampires (elegiacally, mysteriously) Chagal OUT IN THE AIR Don’t tell me. Alfred HAVE A TASTE, SEE WHAT WE MEAN Abronsius (continues), Sarah: MY BRAIN IS LIKE A RAZOR Abronsius LEAVE THOSE FEARS RIGHT WHERE THEY ARE NOW. Sarah Hongungosh! THERE’S NO CLASS BUT I CAN OPEN THEM ALL IN THE BLINK OF AN EYE But now I’m only falling apart FOR AN ORIGINAL SIN, Vampires Who are you really…? Sarah:Yes, I’ll come So many nightmares Yes…. OUR EVERLASTING DANCE HAS BEGUN, Group 1 & 4 (Women and Girls) I’LL DO MY LEVEL-HEADED BEST FOR YOU! A TOTAL ECLIPSE OF THE HEART No. Sarah NO EXPLAINING [repeat], We are tired of the darkness SOMEONE AS RAVISHING AS SHE/HE, ABRONSIUS hears CHAGAL in the corridor and thinks it’s a vampire, Abronsius Read my apocalypse! Sarah Von Krolock:If you don’t believe me ask my friends! There are those who believe in power and wealth Sarah FOR THEY MUST ADMIT I’LL HEAL YOU You're gonna see the vampires dance We've got the world in our hands Say a prayer in the darkness For all the magic to come No matter what it seems Tonight is what it means to be young You're gonna see the vampires dance Tonight is what it means to be young Before you know it's begun We drink your blood and then we eat your soul AND EVERYTHING’S ROSY Alfred USING LOGIC DIES IRAE, KYRIE, LIBERA ME, DOMINE! Needy. THAT MOMENT COMES LATER Alfred – Sarah, I’m going to make sure you stay right where you are! AND DEFOE, DESCARTES AND JEFFERSON WE WILL SHOW YOU AND Bless you, child, for you have desired. With whom do I have the pleasure? German vampiricist, PEASANTS GASP COLLECTIVELY, shrinking away. Alfred, do you think I can’t see into your heart? as she appears at her window): Oh yes, I’ve done my research. For my heart, it longs for you THAT NEVER MOVES ON AND HIS THEORY IS SO RADICAL You want to see my balls? WHILE DEFLECTING ALL THE DRECK LET IT BE JUST FOR ME SARAH…! Von Krolock: Turn around… No, he’s not! You’re all the family I’ve got. Behold the bloodshot moon! IS SIMPLY THAT ABOVE THE WORLD AND ALL ITS CARES, Alfred What could possibly happen after 18? SO MUCH BRAVER THAN WE EVER ARE HAPPINESS IS What about the blinded soldier who befriended you? SOMETIMES WE NEED THE BOOGEYMAN! HAIR LOSS BUT WE WILL ALWAYS TRY A CHANGE IN THE MUSIC as KROLOCK moves downstage to address us and the broad night in a passionate invocation. HE STOOD AT THE GATE If you’re frightening you must not be afraid, Better to batter than to be beaten Alfred (feverish with worry) THINGS I CAST ASIDE, Sarah Oh you fool, you young fool! Alfred (freeing ABRONSIUS) KROLOCK EXITS, and ABRONSIUS and ALFRED watch open-mouthed as AN ENORMOUS BANK OF GRAVES SWOOP DOWN and swings into place. READ MY APOCALYPSE! Don’t go too far…! An abrupt change – a different voice – suddenly viscious and sneering. "Cooking With White Blood Cells" — ? He must be going now. WHAT A WAY TO END Sarah Voice We got the world in our hands AND ANOTHER BOTTLE RIGHT AWAY Sarah:And you added the cost You and I are like two petals on the same funeral wreath. Koukol Abronsius VON KROLOCK suddenly appears before them, Mme. Up, Alfred, up! TAKE THIS SACRIFICIAL ANGEL Sarah. You’re shaking But we must hurry! Krolock SET YOUR FANTASIES ON FIRE, EVERYTHING WILL BE PERMITTED OUR EVERLASTING DANCE HAS BEGUN Seize the night right now.... Let your dreams out of their cages Magda Abronsius (simultaneous and overlapping) Abronsius GARLIC GARLIC TO GET OLD Something has happened Bless the night, before it has the chance to pass I GET A LITTLE BIT CURIOUS And for every pit of darkness The endless adventures Mme. But the storms are never so very far Actually, I was looking for a friend… IN THE POWER OF BLOOD Drained of blood. IN RATIONAL REALITY WHEN I SEE A GOOSE THAT’S PLUCKED Come… come… come…, Sarah © 2019 Evil Nickname, (hysterically — in solos, duets, trios and full ensemble), (obviously covering up, making this up as they go along), (breaking away from the people holding him), (as her eyes come to rest on ABRONSIUS and ALFRED), (to REBECCA, who quivers and bows with fear), (looking through the key hole of Magda’s door), (smoothly sinister, almost like Vincent Price), (explodes anthemically in blazing rock and roll), (mesmerized by the PULSING GLOW on the RED BOOTS), REBECCA, MAGDA, CHAGAL, ALFRED, VILLAGERS, (in counterpoint to the last three cycles), (speaking as much to us as to the assembled armies), (sings, in the midst of this Götterdämmerung, The (almost) complete Meat Loaf and Jim Steinman lyric archive on Twitter, A Graveyard in the Woods, on a night long ago…, Heidelberg. A rhythmic pulse. Abronsius WELL ALRIGHT It’s the middle of the night. I’ve been looking for an original sin Herbert Yes. Ancestors Abronsius Sarah It’s been uncool for 300 years. Alfred You’re my guide. Yes THE WORLD HAS NEVER BEEN SO BLACK Your heartbeat. Only Alfred’s reflection is in the mirror, WHAT IS IT TO FIND AND HOLD HER, WE’LL BE BOLD, WE’LL BE BRAVE Say a prayer for those who run GARLIC GARLIC Abronsius – No. Magda Yeah, I spend like hours on the web. Scene Change. Did you come for the ball? AND I’M ALWAYS IN THE DARK, Sarah I want to go home, The VAMPIRES realize that only ABRONSIUS and ALFRED are reflected in the huge ballroom MIRROR. Alfred, grab that candelabrum! Rebecca I CAN’T HELP BUT THINK AND RELIGIONS AND REVERSIONS I wish to be a flame and reduce to ashes I had to carry him halfway on my back — Professor! Maybe some other time. YOUR BLOOD IS LIKE LIQUID LIGHTNING THE CURSE OF THE DARK Do you think I have time for miserable nothing like you? This is your chance! Acne. Sarah: Elaine Caswell, Von Krolock: Everything that they taught you TURN AROUND! Magda LOOK, I’VE GOT A NICE SURPRISE, MEET MY PRETTY LITTLE BELLE OF THE NIGHT You smell of youth. Say a prayer for all the young READ MY APOCALYPSE! LET YOUR ROMANCE BEGIN TURN AROUND BUT WILL IT EVER BE ENOUGH? Alfred ONCE UPON A TIME We see that it’s a PRIEST in a long black cassock, Did I frighten you? Yes, Madam. WHAT’S IN THE WOODS MY LASHES? Or anyone? Abronsius (solo) Alfred WE’VE SEEN THROUGH THE YEARS TURN AROUND JUST CANNOT IGNORE SARAH steps behind a partition to change into a ROBE, You’d better dress quickly before it’s too late. You want me to be like this? Yes! ONCE UPON A TIME Than there? IS THERE SEX AFTER DEATH? Has the silk arrived that I ordered? Sarah (mesmerized by the PULSING GLOW on the RED BOOTS) Alfred LORD IF I EVER FALL IN LOVE Rebecca He throws open the COFFIN. Priest Do you think I’ve got time for a miserable nothing like you? Krolock NOW KEEPS HIM FROM HIS TEACHING WHAT IS TRUE! WHO IS LOGICAL AND TRUE! SWEATY FEET Abronsius Before you know it’s begun! His suspenders get caught on the railing, and he dangles ten feet above the floor. SILENCE! It’s a bibliophilical paradise! SAY A PRAYER FOR THOSE ALONE Alfred & Abronsius We’d be braver but we never are, Sarah: CAN ANYTHING MAKE SENSE AT ALL? Polanski also directed the original German production of this musical. Professor, somebody’s in there! The god most worshiped in this world I always killed the things for which I yearned You gotta kiss a lot of frogs before you find a prince! Instead of SARAH, HERBERT steps into view, Herbert’s room: a vampire parody of a teenage boy’s room. DEATH IS SUCH AN ODD THING. IN NATIONS AND KNOWLEDGE You’ll never teach in this town again Krolock HAVING BATTLED THROUGH A NIGHTMARE THERE IS A PREDICTION THAT I NOW WILL MAKE Hinein mit der Angst in die Seele der Menschen! JUST LONELY AND EMPTY Rebecca But I tell you– EVER SHOOTING FROM THE HIP SALVATION’S NEVER FAR, NOW WE CAN BE She’s gone, Professor! To dance, in red velvet boots? Come with me and bless the night A Voice SO PEACEFUL AND JOYOUS, Alfred & Sarah Krolock Abronsius There are those who believe in various gods TO THE BALL OF THE YEAR, MUSIC CONTINUES — CHANGING AND RE-INVENTING ITSELF CONSTANTLY UNDER THE TEXT. Alfred! Yes MY LITTLE YOINE YOU’VE GOT TO LET IT OUT…". Sarah AWAITING THE SPARK, Sarah No questions why I saw his body! The devil may care THERE’S NO ONE IN THE UNIVERSE Alfred EVERY NOW AND THEN Over and over again, sin without end Since my life began BUT I HAVE NEVER BURNED. FOREVER’S GONNA START TONIGHT, Krolock I’m a peasant, SOMETHING MOVES in the mist behind them – then vanishes, Sarah you don’t know this world, how it can crush a person. Read a page. AT THE BALL OF THE YEAR. In this market – may God help you. Rebecca AND HIS FAME IS OVERDUE. SARAH starts humming again, ALFRED opens the connecting door just as SARAH is dropping her robe. LET IT BE, Alfred (counterpoint, in his own room) Desperate, shattered, lonely but I must not give up! It erupts out of the floor like a jack-in-the-box and towers over the stage and our heroes. IN VARIOUS GODS COULDN’T MAKE IT ALL THE WAY Hoongameisda! Sarah Von Krolock, Music and Lyrics by Jim Steinman, except Krolock Ladies, we have to protect Sarah Sarah I can your heartbeat from here Unseen Chorus of Voices The things I’d do for just one kiss I might never understand… Yes WHILE I EXECUTE A HIGH KICK Alfred (climbing up to the PROFESSOR) Sarah Well – I’m a twenty-year-old virgin. Abronsius UPON HER IVORY SKIN, AND THE BASHFUL PAGE OF NAPOLEON THE GREAT Sarah: Elaine Caswell Sarah THEY’RE SAGES Two Girls WITH A FOOL LIKE HIM, I SHOULD HAVE KNOWN THE DAY WE MET

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