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The few who have programmed their VCRs and braved slapdash pan-and-scan have been Harold and Maude fans longing for a peek at Cort in a banana hammock. For instance, the hotel Frank Shaft checks into was once part of the Astrodome complex, and has gone through several significant changes subsequently. Revealing mistake: When Brewster is flying around in the Astro-Dome at the end of the movie, in a close up you can see the cables attached to him for a good second or so. Extremely well cast and directed, Lou Adler's made-in-Houston production demands an intellectual audience which is satisfied with smiles instead of belly-laughs. [10], 1970 US experimental comedy film by Robert Altman, "Brewster McCloud Original Trailer (1970)", Buffalo Bill and the Indians, or Sitting Bull's History Lesson, Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean, https://en.wikipedia.org/w/index.php?title=Brewster_McCloud&oldid=983456918, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 October 2020, at 09:59. Its unexplained lack of availability on any home format has also contributed to its undeserved obscurity; following a badly transferred VHS release in the early 1980s that was quickly deleted, it has occasionally resurfaced on cable, and its lamented nonexistence on DVD was the lede in a recent NPR story on film restoration for the home video market. Brewster McCloud[1] is a 1970 American experimental comedy film directed by Robert Altman. You probably are. The elusive, ethereal Louise (Sally Kellerman, in a role far off from Hot Lips Houlihan) protects him from potential captors and warns him away from sex, which she describes as the closest experience humans have to flight. Brewster McCloud (1970) R | 105 min | Comedy, Fantasy. While Brewster works to complete his wings and condition himself for flight, Houston suffers a string of unexplained murders, the work of a serial killer whose victims are found strangled and covered in bird droppings. The film features references to other films, including those of Fellini[2] and to Altman's own work. Check out the mistake & trivia books, on Kindle and in paperback. A bit player in various 1960s “happening”-type movies who scored a supporting role as a suicidal medic in M*A*S*H*, Cort only landed the role that would make him famous to midnight audiences everywhere – that of Harold in Hal Ashby’s classic Harold and Maude – on the strength of his work in Brewster. This film marks the first feature produced by Altman's Lion's Gate Films. Design and text © 1996 - 2020 Jon Sandys. Brewster eventually confesses his responsibility in the killings to Suzanne, who betrays him to the police. The film ends with a Circus entering the Astrodome, played by the cast of the film, costumed as clowns, strongmen and other circus performers. Owlish Brewster McCloud, living hidden and alone under the Houston Astrodome, dreams of creating wings that will help him fly like a bird. During the opening credits, shots of the downtown Houston skyline (with One Shell Plaza under construction) zoom toward the Houston Astrodome and Astrohall, with the emerging Texas Medical Center in the background. Suzanne saves Brewster by evading Shaft in her stolen Road Runner. McCloud may not be as prescient or as groundbreaking as Altman’s other work, but it gives audiences a taste of the “way-out” genre that briefly flourished in the hippie era. Brewster McCloud can easily be seen as a minor work of Robert Altman, and it really is, but what he tries and fails to do in Brewster McCloud, he will later succeed in his future film, Nashville. Rate. Under his vision, Brewster morphed from an immature antihero who, in his obsession with flight, was not above murder or using women sexually to a virginal naïf who wants to fly, an ambitious but quiet cipher around whom things happened. The Brattle Film Foundation is a 501(c)3 non-profit, supported in part by a grant from the Massachusetts Cultural Council, a state agency. (My obvious fondness for the film notwithstanding, I must admit that it pales in comparison to Nashville.) Starring: Bud Cort, Michael Murphy, Sally Kellerman, Shelley Duvall, William Windom. "[8] John Simon wrote 'Brewster McCloud is a pretentious, disorganized, modishly iconoclastic movie which, in the manner of its Icarus-like hero, aspires to fly high and merely drops dead'.

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