Insights

Through the decades—and subsequent crazes for color and sound, stereoscopy and anamorphosis—since that train threatened to barrel into the front row, there’s never been a time when audiences didn’t clamor for the palpating fingers of fear. This was the company line that Irving Thalberg found himself at odds with when he decided to cast all four (and more) in his adaptation of William A. Drake’s Broadway smash Grand Hotel. A World Betrayed portrays a seminal moment in the history of the Three Kingdoms. Eric Henderson, Ganja & Hess is both a highly personal reconstruction of the vampire myth (many cite it as the “anti-Blacula”), as well as a Godardian broadside, allowing us to imagine that Bill Gunn was actually thumbing his nose at the way the industry was shaping up for African-American directors in the ‘70s, thanks to films like Gordon Parks’s Shaft. What could possibly go wrong? Yes, you may need to record new sound for it, and you can bring craft to it in post-production in the edit. Even with the editor, I wasn’t just coming in and saying, “Hey, do whatever you want.” I was trying to communicate, “Hey, this is exactly what I want. This woman passes her psychic torment on to everyone even peripherally in her path, most devastatingly of all to her young daughter, who may soon begin to grow her own creatures, born of inescapable, inexpressible anger that’s provoked by the seemingly predestined trauma of life with family. Garbo and Crawford are patiently unveiled, as they should be, but the director frontloads the film with his male stars and their various plotlines in immediate and immediately engaging montage, only to further introduce the pulp of the film’s expertly weaved narrative with a bravura lobby sequence that makes stunning use of overhead crane shooting by famed cinematographer William H. Daniels. I also wanted it to tie back to high school. Nichols has an easy mastery of pacing and tension, employing a churning sound design (and a pulsing score by David Wingo) that allows moments of occasionally bloody action to arrive with a frightening blast or a deep, quaking rumble of bass, and the film moves with purpose to its final destination. I can see the signs in my sleep now, always guiding me closer. Then, when I became really interested in making this film, I thought about how I could play with that knowledge of that level of craft that happens in documentaries that you can’t control. Rummage through shelves to find a healing syringe and some shotgun shells. You can instantaneously switch between allies you have recruited at any time! These are the 15 best video games that have been released in 2020 so far. In this colorful, co-op adventure game you play as the newest recruit to Kindred Aerospace. It was very much kind of like, “How dare you make this biopic of my life freshman year?”. Take control of starfighters such as the X-wing and TIE fighter. I’m really interested in the specificity and the mistakes. Farm, mine, fish, harvest, cook, and craft your way across mystical seas. Spend relaxing quality time with your spirit passengers, create lasting memories, and, ultimately, learn how to say goodbye to your cherished friends. The myth of Joan Crawford’s life and career is inseparable from what she did on screen. With echoes of “The Monkey’s Paw,” it gradually dawns on the initially relieved family that Andy’s purple heart may no longer beat, and yet he thirsts for blood, which would be horrifying enough if the film didn’t also seem to be suggesting that, whether soldiers return home from war decorated or draped by the flag, they never return as they were before. Looking back on it with the same sense of from-the-future assurance that informed the movie’s own creation, Back to the Future is a logistically beautiful but almost inhumanly perfect confluence of internal logic and external forces. But unbeknownst to them, one member isn’t who he seems. Scaife, Writer-director Brian Taylor’s Mom and Dad invests a hoary conceit with disturbing and hilarious lunacy. Like a bad penny, David keeps coming back into her life and tormenting her. Ballard may have been right that literary sci-fi has provided all the interesting themes and ideas for which sci-fi in general has become known, but he failed to grasp how cinema has expanded our understanding of sci-fi by pricking at our collective visual consciousness. The game featured local co-op, which made it even more enjoyable because of the multitude of additional explosions on screen. His story concerns a gang of thugs, torturers, and killers led by Ulric (Sean Bean), a devout soldier commissioned by the church to visit the lone, remote town in the land not afflicted by a fatal pestilence, where it’s suspected a necromancer is raising the dead. We enter his present time by doing slow-mo. Your agents are unique: each of them equipped with special tactical abilities and driven by a different motivation for joining Chimera Squad. Christopher Gray, The plot convolutions of Elizabeth Harvest conjoin with director Sebastian Gutierrez’s stylistic bravura—blasts of red and blue in Cale Finot’s cinematography that connote a spiritual as well as physical sense of ultraviolence—to create an incestuous atmosphere that’s reminiscent of the stories of Edgar Allan Poe. Panzer Corps 2 is the ultimate Second World War strategy game! After many years, Axel and Blaze are finally picking up the fight where they left. ONE OF US. Check the wallpaper behind Gigi (Bella Heathcote) after she barfs up an eyeball; it’s covered in swastikas. You drop the camera, leaving the audience to experience these poignant scenes from a messier angle. Kate can fool almost any man with the right outfit and kill discretely with her hidden gun. and Trog and all the rest of her contributions to the hag-horror genre. As Laura implies, endless passion is exhausting, expected only by the selfish. It’s like, “I am ungrounded, I am in an airplane, I don’t know where steady ground is.” All those plays with words that we can do with words themselves, or in a movie where an image can mean multiple things, I think that’s what’s happening with dementia often when someone is expressing these as questions of “what’s going to happen to me?” The loss of agency just creates all these question marks. © Barbara Nitke/Netflix. Do you think there’s something to that word choice? Guadagnino uses Argento’s original as a launching pad for interrogating how the old, whether in dance or politics, often corrupts the new. The titles on this list come from every corner of the medium—represented for the precision of their control or the beauty of their visuals or the emotion of their story.

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